Dating after a break up can be hard as it is, but imagine dating when you're single CONTENT WARNING this podcast contains strong language and drug.
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Prior to the controversial appointment of Chapman, many of the 'old guard' were dismissed from the station and replaced by presenters who were more amenable to the increasingly structured format. Chapman oversaw a radical overhaul of Triple J's programming and marketing. This basic format, though not dissimilar to the old Sydney based Triple J, included: Decades later the format remains substantially in place. Compared to the late Seventies, Chapman did not reduce the amount of comedy, documentaries and news. Although as he did at 2SM, Chapman maintained and strengthened the station's commitment to live music.
In the late s Triple J was accused of ignoring the emerging hip hop scene and related genres, in favour of the more marketable rock-oriented grunge style that dominated American music at the same time.
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The amount of news comedy and documentaries remained essentially the same in the s as it had during the 80's. The key changes were new programmes replacing old. Throughout the s, Triple J commenced expansion to more regional areas of Australia and, in , it was extended to another 18 regional centres throughout the country.
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In , the total was brought to 44, with the new additions including: It played a record in Tas over and over again until Triple J came online. In May , Arnold Frolows, the only remaining member of the original Double Jay staff of , stepped down after 28 years as Triple J music director. He was replaced by presenter Richard Kingsmill. In , the station began to release podcasts of some of its talkback shows, including Dr Karl , This Sporting Life , and Hack.
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As Broome was one of the largest towns in Australia to not receive Triple J to this point, the station celebrated with a concert featuring many local bands, also simulcast on the Live at the Wireless programme. Programming included music videos, live concerts, documentaries, and comedy, as well as a behind-the-scenes look at Triple J's studios. In jtv was rebranded as Triple J TV. The station celebrated its 40th anniversary on 16 January with the seven-hour "Beat The Drum" event at the Domain venue in Sydney. Hosted by Peter Garrett , an Australian musician with Midnight Oil and former federal Environment Minister, the list of performers, all of whom are the beneficiaries of the station's support, included: In ratings released in August , Triple J was the highest or equal first in Sydney, Melbourne, Brisbane, Adelaide and Perth in the demographic.
Triple J frequently features new, alternative music and local Australian performers, and programming which used to show a bias against bubblegum pop and top 40 hits. It also covers news and current affairs from a youth-oriented perspective, although this facet of its programming has been reduced considerably since the station's inception. In common with other Australian radio stations, Triple J has also gradually increased the amount of talkback content in its programming. There are several reasons for this. Most importantly, it provides an inexpensive and popular source of program content, and also provides the appearance of listener interactivity and involvement.
Like many other former 'all music' stations, Triple J has had to respond to the advent of music file-sharing, digital music players, and other digital music innovations, which have drastically reduced listeners' dependence on radio as a means of accessing music. The evolution of Triple J's programming has always been contentious. In the Double Jay days, commercial stations and conservatives regularly cried foul over the station's free use of expletives on air and its ability to ignore the censorship restrictions that were in force for commercial radio. Over the years the station gained considerable renown for breaking new local acts.
Double Jay was virtually the only 'pop' station in Australia in the late Seventies to play: Over the years the station moved away from its early style, which featured a high level of news, features, documentaries, current affairs, and comedy, and was gradually steered towards a non-commercial version of the continuous music format that prevailed in commercial radio. Many original Double Jay segments including the nightly "What's On" gig guide, its extensive news and current affairs coverage which was often criticised for its alleged left-wing bias , and its 'community noticeboard' segment, were gradually eliminated, as were almost all the character comedy spots that had been popular features in previous years.
Most recently the number of songs approved for airplay on Triple J has been decreased dramatically, leading some to believe that an over-emphasis on certain styles of music, particularly electro and dance, has had a negative effect on the formerly unbiased genre programming. It is also said that this has affected the cultivation of musical diversity on the Unearthed program. The station also exerted a noticeable effect on local record companies.
For many years, local record labels would only import recordings that they knew would earn a good commercial return, and they were often unwilling to take risks on local releases of unknown acts. Much new music was routinely available only as expensive imports in specialist shops. This began to change almost as soon as Double Jay came on air. A good example of the station's influence was in when Double Jay championed a new album, Live , recorded by a one-off group that included former Roxy Music members Phil Manzanera and Brian Eno.
Although the LP was hailed overseas as one of the best live recordings ever made, and set new standards of technical excellence, the Australian distributor at first refused to release it locally, in spite of the fact that it was one of the most requested items on the Double Jay playlist at the time. As a result of the import sales that were generated by Double Jay airplay — it became the highest selling import album that year — the company decided to release it locally.
Triple J routinely championed many local and overseas acts whose early recordings were ignored by commercial radio including: A case in point is American group The B's. It is believed that Double Jay was the first radio station in the world to play their debut single "Rock Lobster". Blondie , Devo , and more recently Ben Folds Five , Garbage , and especially Ben Harper , whose popularity in Australia, which was almost entirely the result of support from Triple J, was instrumental in breaking him back in his home country, the United States.
It is also notable that Triple J was for many years routinely used as a free market research facility by commercial stations. As mainstream pop radio struggled to establish itself on the FM band, commercial stations like those owned by Austereo constantly monitored what songs and acts were doing well on Triple J and would then introduce the most 'saleable' of them into their own playlists. In , Triple J had been playing N. A 's protest song " Fuck tha Police " for up to six months, before catching the attention of ABC management who subsequently banned it.
As a result, the staff went on strike and put the group's song " Express Yourself " on continuous play for 24 hours, playing it roughly times in a row.
Triple J programming schedule has included shows featuring many specialty genres including: The weekly J-Files show has had two incarnations over the years. From to , it was a three-hour late weeknight show hosted by Richard Kingsmill. Each show was topical; it might feature an artist, a particular year in the past, or songs with a certain theme. Examples of themed shows include: From the J-Files was a one-hour Saturday afternoon show, hosted by various Triple J presenters, specifically focused on one particular artist.
The final J-File was aired in November Live at the Wireless is a long-standing tradition of Triple J. It is a weekly broadcast of live music, of a number of forms - open air festivals, smaller concerts, or acoustic performances in the studio. Occasionally, Triple J will host a live performance in a secret location, and give away tickets to a limited number of listeners, to allow them to be a part of the special event.
Up until , the Australian Music Show was Triple J's all-Australian music segment, broadcast as a three-hour late weeknight show Starting in , the format changed to a two-hour show every weeknight It proved to be one of Triple J's most popular changes, as the audience and the station itself has traditionally been very supportive of local talent and unsigned bands. The show has now been reduced to one hour, is only on Monday to Thursdays, and is hosted by Declan Byrne; who replaced Dom Allesio for On 2 February , Triple J commenced broadcasting a house-party style programme mixed and presented by Nina Las Vegas.
The show is currently hosted by Kristy Lee Peters. Triple J has their own independent news team, specifically covering news and issues that are relevant to the youth of Australia, such as education and the environment, as well as general music news. Past news journalists some of whom are still with Triple J include: From January 31, Hannah Reilly and special guests invite J listeners to share their thoughts on different topics regarding sex. Hack is Triple J's half-hour news and current affairs show. It is hosted by Tom Tilley. Triple J broadcast Talkback Classroom from to , a program where secondary school students from around Australia interviewed various prominent politicians, business and community leaders on current affairs issues.
Where the youth in outback Australia can air their views through a youth forum. Entrants must be between 16 and 22, write and engaging story relating to the countryside and must work well on radio. There are 41 regions like Unearthed. The winner receives airplay of their story and one winner from each of the 41 regions, wins an all expenses paid trip to Canberra at the Australian Institute of Sport for the youth forum.
The Breakfast Show is one of the station's flagship shows.
From until , it was co-hosted by Adam Spencer and Wil Anderson. The Breakfast Show also featured two radio serials presented by The Sandman: Spencer and Anderson broadcast their final program for the station on Friday 26 November from Sydney University 's Manning Bar, a site that held sentimental value to Spencer, as that was where he got his start in stand-up comedy.
They regularly maintained contact with Jay during his overseas travel, calling him during a segment named Where in the World is Jason "Jay" Whalley , a pun on Where's Wally?
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Tuesdays offered "Nerds of a Feather" with Paul Verhoeven , whilst Friday offered "The Friday Fuckwit" as well as "Like a Version", a segment where famous recording artists perform a cover version of a song of their choice. On 23 November , it was announced that Tom Ballard and Alex Dyson hosts of the Weekend Breakfast show would take over as hosts of the Breakfast show. Their last show was broadcast on 16 December From the Breakfast team consists of former Adelaide community radio presenters and comedians Ben Harvey and Liam Stapleton, with current affairs from journalist Brooke Boney.
Paralympian Dylan Alcott and comedian Gen Fricker are slated to be regular guests. Caroline Tran returned in Weekend breakfast is now hosted by Stacy Gougoulis. As well as sport, the duo cast a wide comedic net that encompassed the worlds of entertainment, politics and celebrity. TSL was remarkable as one of the few successful comedy programs that was substantially improvised. The longest-running show in Triple J's programming history, TSL commanded a large and dedicated nationwide audience.
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Podcasts of competition sets are available via the Triple J website. Restoring the Balance was broadcast sporadically on Sunday afternoons during The primary concept behind the show was a satire of the contrasting political views between the conservative Australian Howard government , and the left-wing government-funded Triple J radio station. The show suggested that the station was forced to broadcast a segment of right-wing political views in order to restore the balance.
Ross and Terri broadcast weekdays at lunch times, for two 2-week periods, over summer and It was hosted by Ross Noble and Terri Psiakis.
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It was initially a filler show, but the popularity of the pair was enough to bring them back in Today Today was the name given to the drive show in and , hosted by Chaser members Chris Taylor and Craig Reucassel. One of their more popular skits was "Coma FM", a parody of commercial radio stations.