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The film's themes, which have been explored by many scholars, include the nature of romantic and platonic relationships, the causes of violence against LGBT people , transgender people and the gender binary , and the relationship among social class , race , and gender. The film premiered at the New York Film Festival on October 8, , before appearing at various other film festivals. Distributed by Fox Searchlight Pictures , the film received a limited release in the United States on October 22, , and it performed well at the North American box office, gaining three times its production budget by May The film was acclaimed by critics, with many ranking it as one of the best films of the year; praise focused on the lead performances by Swank and Sevigny as well as the film's depiction of its subject matter.

However, some people who had been involved with Brandon in real life criticized the film for not portraying the events accurately. Boys Don't Cry , which dealt with controversial issues, [4] was initially assigned an NC rating but was later reclassified to an R rating. It was released on home video in September Soon after, he is involved in a bar fight and is evicted from his cousin's trailer.

Brandon becomes romantically involved with Lana, who is initially unaware of his troubled past. The two make plans to move to Memphis , where Brandon will manage Lana's karaoke singing career. Eventually, during a date night which ends with them having sex, Lana discovers that Brandon is trans, but continues to be intimate with him.

The police detain Brandon on charges that arose prior to his relocation; they place him in the women's section of the Falls City prison.


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Lana bails Brandon out and asks why he was placed in a women's prison. Brandon attempts to lie to her, saying he was born a hermaphrodite and will soon receive genital reconstruction surgery, but Lana stops him, declaring her love for Brandon regardless of his gender. However, while Brandon is in prison, Candace finds a number of documents listing Brandon's birth name, Teena Brandon, and she and her friends react upon this news with shock and disgust. They enter Brandon's room and search among Brandon's things, and discover some transgender literature that confirm their suspicions.

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Tom and John violently confront Brandon, forcing him to remove his pants and reveal his genitals. They try to make Lana look, but she shields her eyes and turns away. After this confrontation, Tom and John drag Brandon into John's car and drive to an isolated location, where they brutally beat and gang rape him. Afterwards, they take Brandon to Tom's house.

Though injured, Brandon escapes through a bathroom window. Although his assailants threaten Brandon and warn him not to report the attack to the police, Lana persuades him to do so. However, the police chief proves to be less concerned with the crime than with Brandon's 'sexual identity crisis'. Later, John and Tom get drunk and decide to kill Brandon. Lana attempts to stop them, but the pair drive to Candace's remote house where they find Brandon, who has been hiding in a nearby shed. John shoots Brandon under the chin, killing him instantly.

Tom shoots Candace in the head as Lana fights with them, begging them to stop. Tom stabs Brandon's lifeless body and tries to shoot Lana but John stops him. John and Tom flee the scene while a crying Lana lies with Brandon's body. The next morning, Lana awakens next to Brandon's corpse.

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Her mother arrives and takes her away from the scene. As Lana leaves Falls City, a letter Brandon wrote to her is heard in a voiceover. Brandon Teena was a trans man who was gang raped and murdered by a group of male acquaintances in December , when he was With the intensity of his desire to turn himself into a boy, the fact that he did it with no role models. The leap of imagination that this person took was completely overwhelming to me. Peirce wanted to tell the story from Brandon's perspective.

She was familiar with Brandon's desire to wear men's clothing: People were focusing on the spectacle of a girl who had passed as a boy because that is so unfamiliar to so many people. Where to me, I knew girls who had passed as boys, so Brandon was not some weird person to me.

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Brandon was a very familiar person. The project drew interest from various production companies. Diane Keaton 's production company, Blue Relief, showed interest in the screenplay in the mids. Initially, the film was to be largely based on Aphrodite Jones ' true crime book All She Wanted , which told the story of Brandon's final few weeks. However, Peirce modified the script to fit her vision to focus on the relationship between Brandon and his year-old girlfriend Lana Tisdel, which Peirce termed a "great love story", [11] [18] in contrast to All She Wanted , which did not place an emphasis on the relationship.

To fund the writing and development of the project, Peirce worked as a paralegal on a midnight shift and as a 35mm film projectionist; she also received a grant from the New York Foundation for the Arts. They worked together for 18 months on the final drafts and were careful not to "mythologize" Brandon; the aim was to keep him as human as possible. Prior to filming, Peirce researched the facts by interviewing the people surrounding the case. She met Lana Tisdel at a convenience store and interviewed her at Tisdel's home.

However, she was unable to interview Brandon's mother or any of his biological family. The filmmakers retained the names of most of the case's real-life protagonists, but the names of several supporting characters were altered. For example, the character of Candace was named Lisa Lambert in real life. Peirce said the LGBT community was very interested in the project because of the publicity surrounding the murder. At one point, the project was nearly abandoned because Peirce was not satisfied with most of the people who auditioned.

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Swank said that like Brandon she was 21 years of age. When Peirce later confronted her about her lie, Swank responded, "But that's what Brandon would do". Peirce required that Swank "make a full transformation" into a male. Her masquerade was convincing; Swank's neighbors believed the "young man" coming and going from her home was Swank's visiting brother. She reduced her body fat to seven percent to accentuate her facial structure and refused to let the cast and crew see her out of costume.

When I saw that, and her confidence and wit, I thought: I said to her, 'Will you please audition to play Lana? Sevigny dyed her hair red for the role to match Lana's strawberry blonde hair. She watched videos of Lana. She just became her very naturally. Sarsgaard was one of the first choices for the role. He later said he wanted his character to be "likable, sympathetic even", because he wanted the audience "to understand why they would hang out with me.

If my character wasn't necessarily likable, I wanted him to be charismatic enough that you weren't going to have a dull time if you were with him. I felt like I was just like the sheriff, y'know, and that everyone loved me. Initially, Boys Don't Cry was scheduled to film for thirty days. The small budget dictated some of the filming decisions, including the omission of some incidents to speed up the overall pacing. Timing constraints and Peirce's visions relating to the plot limited what could be achieved with the narrative.

At the time, he had been dating Lana Tisdel's sister, Leslie, who was omitted from the story. Most of the incidents in the case took place in Falls City, Nebraska , [47] [48] but budget constraints led the filmmakers to choose locations in Texas. Peirce initially wanted to shoot in Falls City, but Vachon told her that filming there would not be possible.

I wanted the audience to enter deeply into this place, this character, so they could entertain these contradictions in Brandon's own mind and would not think he was crazy, would not think he was lying, but would see him as more deeply human". Some scenes in Boys Don't Cry required emotional and physical intensity; these were allocated extended periods of filming. The scene in which Brandon, at the wishes of his friends, bumper-skis on the back of a pickup truck, was delayed when a police officer, just arriving at a shift change, required a large lighting crane to be moved from one side of the road to the other.

The scenes took six hours to shoot and were filmed at sunrise, resulting in a blue sky being seen in the background. Swank required a stunt double for a scene in which she falls off the back of a truck. Teena's rape scene was given an extended filming time; Sexton, who portrayed one of the attackers, walked away in tears afterward.

When scenes became difficult, Swank requested the company of her husband on set. Peirce, who had originally sought a career in photography before moving into filmmaking, applied techniques she had learned into the film. As a way to further incorporate the sense of artificial night, John Pirozzi, who had been experimenting with time-lapse photography using a non-motion-controlled moving camera, was invited to create the transition shots seen throughout the film.

The film's visual style depicts the Midwestern United States in a "withdrawn", [50] dark and understated light to give a "surreal" effect.


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The film was shot with a Moviecam Compact camera fitted with Carl Zeiss super speed lenses. For the scene in which Brandon is stripped, a hand-held camera was used to give a sense of subjectivity and intimacy. The use of low natural light and heavy artificial light is illustrated early in the film in the opening roller rink scene in which Brandon pursues his first relationship with a young woman.

For this scene, Peirce used a three-shot method similar to that used in a scene in The Wizard of Oz in which Dorothy leaves her house and enters Oz. Some scenes were given a prolonged shooting sequence to induce a feeling of hallucination.