Valentine & Sons Publishing Co., a subsidiary of Valentine & Sons of Scotland, were Canada's most prolific Dating Valentine & Sons' Canadian Postcards.
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They look much duller than cards of the Artotype series. They continue using lithographic dots of fawn rather than yellow, and their blues and reds tend to be distinct.
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They are distinguished by thick Tartan patterned borders with symbolic elements added. They were printed as tinted halftones, often with ben day patterns added. Even so there is little optical blending, and these cards often have the look of being hand colored. These cards were alsp printed through the tricolor process like the Art Colour cards, but here black is added and the hues easily blended to create more optical colors.
They also produced a series of Aerial cards and of folding cards called Mail Novelties. A number of view-cards of Ireland were published out of their office in Dublin. While they generally have the same printed appearance as those depicting scenes from England and carry the Valentine name, they were printed in tinted collotype and their logo is completely unique. Another set of Irish view-cards were issued by Valentine in Dublin that have decorative borders filled with clover.
These cards have the normal Valentine logo on them and were printed in Scotland in tinted halftone. Their cards were printed in Great Britain in tinted halftone but they bare little resemblance to the traditional Valentine card. These cards were not numbered. In addition they published real photo cards with many of them issued in large sets. They also accepted contracts for cards from many other Australian publishers.
These cards were also printed in Great Britain in tinted halftone lithography but they more closely resemble those marketed back in England.
Hertfordshire Genealogy: Postcards by Valentine
These cards are numbered and carry a V. Another office later opened in Boston, Massachusetts. Published view-cards depicting scenes throughout the Country. While many of these cards were printed in the United States in their later years, they have the exact same distinct look of the tinted halftones that were printed in Great Britain. All cards are numbered and have a three digit prefix and a three digit suffix.
In they merged with the Hugh C.
They published souvenir books, greeting cards and view-cards of Canadian scenery in sets numbered with a three digit prefix and a three digit suffix. These tinted halftone and collotype cards were printed in Great Britain.
Valentine sold their Canadian branch in Published view-cards of Canada. They used a number of different printers, some in the United States. They published tinted halftone view-cards in line block that were printed in the United States. While their later white border cards retained the usual limited pallet, these cards have an entirely different look. There is much more emphasis on the details that are printed in black rather than the color overprinting. This firm was set up in Bridgeport, Connecticut by Helen Cullinham to publish the color photographs of Block Island taken by Louis Dormand as postcards.
In all 46 different view-cards were produced, which were the first color postcards of the Island. Three of the earliest cards list Helen Cullinham as the publisher. Publishers who produced sets of postcards in offset lithography reproducing watercolor views of New York City by Marcus A. Relatively few overseas views remain. About 50, of the topographical views now existing pertain to Scotland, most dating after but include a few hundred of earlier date. Many of the early views containing people were very carefully posed. The view registers for the British monochrome topographical series survive from to , recording over half a million views.
There are also several thousands of privately commissioned views, taken mainly since the s. There are various series of special views such as the Empire Exhibition in and the Festival of Britain The Valentine General Album sequence is a created series of Valentine albums and publications. There is also a small series of unindexed material relating mainly to the business operations of the firm. There is very little information about the firm's employees or commissioned artists.
Valentines of Dundee, the well-known photographic company which produced Scottish topographical views from the s, and later became internationally famous as the producers of picture postcards was founded in by James Valentine He added portrait photography to the activities of his established Dundee business, which had been based up to on the engraving, printing and supply of business stationery. In he erected one of the largest photographic glasshouses in Britain. About he decided to emulate the success of George Washington Wilson in Aberdeen in selling topographical view photographs.
In James Valentine carried out his first Royal commission and received the Royal warrant in He used a converted barouche as a mobile darkroom.
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His exceptional organisational and presentational skills were essential in the rapidly expanding and thriving concern which opened a large printing works at and Perth Road, Dundee. William Dobson Valentine , son of James Valentine, took a course of chemistry at London University and trained to be a landscape specialist in the studios of Francis Frith at Reigate, Surrey, the largest English publisher of the commercial landscape.
He entered the family business in about Valentine views in the nineteenth century aimed at the national middle and upper class tourist market, with the production of both drawing room albums containing selections of photographs arranged geographically and individual landscape prints. The latter were available in a choice of sizes - cabinet, imperial and card.
Administrative / Biographical History
Stereoscopic views were also produced. Subjects concentrated on the genteel tourist sights and places in Scotland, then to England in and on to fashionable resorts abroad, including Norway, Jamaica, Tangiers, Morocco, Madeira and New Zealand before George concentrated on the portrait studio work until when ill-health took him to New Zealand where he became one of the early landscape photographers in that country.
William took control of the landscape side of the business in Dundee and did much pioneering work in large scale photographic processing and in photo-mechanical printing. The firm undertook the first unsuccessful attempts at submarine photography in connection with the investigation of the Tay rail bridge disaster early in and in published an innovative series of winter snow scenes. The work force grew from 14 in to one hundred by but this expanded tenfold consequent on William's decision in to enter the picture postcard market. The effect on the business was to increase the few hundred new negatives added to stock annually to many thousand new views being recorded.
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The general standard of photography declined and the now usual photo-mechanical method of reproduction for post-cards was frequently crude, although the firm returned to purely photographic processes for post-cards in the s. In under Managing Director Harben James Valentine Valentines changed from a partnership into a private limited company.
It grew so rapidly that in it became a public company with a share capital largely controlled by the family. In employed a staff of photographers who worked on location from spring until early autumn and then spent the rest of the year processing the results. The firm also employed a large number of artists about 40 in one of whose tasks was the touching up of negatives. Raphael tuck sons' series numbers, postcard from various postcard in your search. After he died in verse and then produce something.
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